Story time!

I was walking along a river in Vianden, Luxembourg, before my piano recital when a man on a bike yelled “Hello!” in Chinese, Japanese, and Korean — his voice sharp like a crooked fishbone. Sight often dictates our perceptions, building walls where understanding could flow. But I linger at the periphery, gazing into human conditioning — drawn to spaces where boundaries blur and connection seeps through, where the universe unfolds in unexpected ways.

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In theatre, where the ancient ritual of gathering breathes life into stories, I’ve found sound to be a portal — a way to listen with the body, unveil hidden narratives, and resonate with others. As a sound designer and composer, I craft enveloping worlds, striving to dissolve barriers and invite people into shared experiences that transcend language and culture.

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For me, sound is not just something I hear; it’s something I taste and smell. My synesthesia intertwines these senses, transforming melodies into flavors and harmonies into scents. This sensory interplay deepens my connection to sound, allowing me to create in ways that feel both intimate and expansive.

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Now, as I expand my practice into composing for dance and video games, I aim to shift perspectives and reimagine how we connect — not through sight alone, but through full-bodied listening, where sound and sensation intertwine. Like a water nymph’s song rippling through misty shallows, I drift through soundscapes, hoping to awaken a deeper, more sensory way of being together.